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No. 4-5 (2022)
Contents
Editorial board
Published:
2022-12-15
Articles
Chopin, Pianos and East Asian Modernity
Jim Samson
4-19
DOI:
https://doi.org/10.56693/cr.4
PDF
Exotic Toys, Musical Centralities and Power Reversals: The Early Reception of European Keyboard Music and Instruments in East Asia 20
Jen-yen Chen
20-29
DOI:
https://doi.org/10.56693/cr.5
PDF
Coiled Colonialities: Pianos and Place Signification in Shanghai’s Treaty Port History
Yvonne Liao
30-55
DOI:
https://doi.org/10.56693/cr.6
PDF
Cultural Dissonance in Piano Pedagogy in Post-Colonial China
Fengyi Zhang
56-77
DOI:
https://doi.org/10.56693/cr.7
PDF
Images of Chopin in the People’s Republic of China
Wai-Ling Cheong
78-95
DOI:
https://doi.org/10.56693/cr.8
PDF
The Piano and Decentred Cultural Modernity in Korea: Shades of Chopin
Alison Tokita
96-117
DOI:
https://doi.org/10.56693/cr.9
PDF
Chopin in Japan: From Ongaku Torishirabe Gakari to Forest of Piano
Junichi Tada
118-153
DOI:
https://doi.org/10.56693/cr.10
PDF
Images of Chopin in, and through, Japanese Video Games
Tim Summers
154-181
DOI:
https://doi.org/10.56693/cr.11
PDF
Reviews
L’Œuvre de Frédéric Chopin: Manuscrits – Partitions annotées – Bibliographies et Catalogue d’une collection d’éditions anciennes Bertrand Jaeger
Peter Lang (Publications de la Société Suisse de Musicologie, Série II – Vol. 60), 2020.
Magdalena Oliferko-Storck
183-191
DOI:
https://doi.org/10.56693/cr.13
PDF
Poznańskie Studia Polonistyczne Seria Literacka 41 (61): Chopin. Dźwięk przed słowem [Chopin: sound before words] Poznań 2021
Kamila Stępień-Kutera
191-194
DOI:
https://doi.org/10.56693/cr.15
PDF
The pedalling of the ‘style brillant’ and its influence upon the early works of Chopin Martin Sehested Hansen epOs-Music, 2016
David Rowland
194-197
DOI:
https://doi.org/10.56693/cr.14
PDF
Publisher
Narodowy Instytut Fryderyka Chopina
ul. Tamka 43
00-355 Warszawa
tel.: (+48 22) 44 16 100
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