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    No. 2 (2019)


    Published: 2019-12-15

    Introduction

    Introduction
    Jim Samson   
    3-7
    DOI: https://doi.org/10.56693/cr.108

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    Articles

    Émigrés on an émigré: Poetic portraits of Chopin
    Anna Teńczyńska   
    8-25
    DOI: https://doi.org/10.56693/cr.109

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    The poet of the piano in poetry: Chopin and Russian writers Miatlev, Fet, Severianin, Pasternak and Akhmatova
    Tony H. Lin   
    26-45
    DOI: https://doi.org/10.56693/cr.110

    PDF

    Chopin and George Sand: Visions of reconciliation and otherness
    Belinda Jack   
    46-61
    DOI: https://doi.org/10.56693/cr.111

    PDF

    Musical lives: Portraits of composers in biographical novels
    Kamila Stępień-Kutera   
    62-79
    DOI: https://doi.org/10.56693/cr.112

    PDF


    Reviews

    Review of Chopin and his World edited by Jonathan D. Bellman and Halina Goldberg
    Antonio Cascelli   
    81-84
    DOI: https://doi.org/10.56693/cr.113

    PDF

    Review of Alexander Stefaniak Schumann’s Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany
    Nicholas Marston   
    84-87
    DOI: https://doi.org/10.56693/cr.114

    PDF

    Rewiev of Dana Gooley Fantasies of Improvisation: Free Playing in Nineteenth-Century Music
    Kenneth Hamilton   
    88-90
    DOI: https://doi.org/10.56693/cr.115

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    Review of Chopin 1810–2010: Ideas, Interpretations, Influence ed. by Irena Poniatowska and Zofia Chechlińska
    David Rowland   
    91-93
    DOI: https://doi.org/10.56693/cr.116

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    Publisher
    Narodowy Instytut Fryderyka Chopina
    ul. Tamka 43
    00-355 Warszawa
    tel.: (+48 22) 44 16 100
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