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No. 1 (2018)
Published:
2018-12-15
Introduction
Introduction
John Rink
4-5
DOI:
https://doi.org/10.56693/cr.99
PDF
Articles
The competition as an ‘exchange’ of values: An aesthetic and existential perspective
Anna Chęćka
6-19
DOI:
https://doi.org/10.56693/cr.100
PDF
The evolution of performance style in the history of the International Fryderyk Chopin Piano Competition in Warsaw
Wojciech Kocyan
20-37
DOI:
https://doi.org/10.56693/cr.101
PDF
The reliability/ validity of cognitive/emotional approaches to the evaluation of musical performance: Implications for competition juries
Richard Parncutt
38-51
DOI:
https://doi.org/10.56693/cr.102
PDF
Pogorelich at the Chopin: Towards a sociology of competition scandals
Lisa McCormick
52-77
DOI:
https://doi.org/10.56693/cr.103
PDF
Forum
Music competitions around the world. Transcription of a panel discussion led by John Allison.
John Allison
78-99
DOI:
https://doi.org/10.56693/cr.104
PDF
Reviews
Review of Lisa McCormick Performing Civility: International Competitions in Classical Music
Paweł Majewski
101-103
DOI:
https://doi.org/10.56693/cr.105
PDF
Review of Nicholas Cook Beyond the Score: Music as Performance
Kamila Stępień-Kutera
103-105
DOI:
https://doi.org/10.56693/cr.106
PDF
Review of Chopin’s Polish Letters tr. David Frick
Jeremy Coleman
110-113
DOI:
https://doi.org/10.56693/cr.107
PDF
Publisher
Narodowy Instytut Fryderyka Chopina
ul. Tamka 43
00-355 Warszawa
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