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No. 6 (2023)
Contents
Editorial board
Published:
2024-09-16
Articles
On Chopin Editions as Discrete Sources: The Baudissin-Henkel-Pusch Exemplar of the Etudes, Op. 10
Jeffrey Kallberg
4–25
DOI:
https://doi.org/10.56693/cr.143
PDF
Two Perspectives on the Music of Fryderyk Chopin from the 1920s: Lucien Bourguès and Alexandre Denéréaz (1921) and Leonid L. Sabaneev (1925–1927)
Michał Bristiger
26–39
DOI:
https://doi.org/10.56693/cr.144
PDF
Musical Contacts Between the Polish and Jewish Communities and the Image of Jewish Culture in Nineteenth-Century Polish Popular Music
Tomasz Nowak
40–65
DOI:
https://doi.org/10.56693/cr.145
PDF
A Polish Patriot in Paris: Albert Sowiński, Essayist, Anthologist and Lexicographer
Virginia E. Whealton
66–93
DOI:
https://doi.org/10.56693/cr.146
PDF
Prize Winners of the Young Scholars’ Chopinological Essay Competition 2020
A ‘Narrow-Keyed’ Pleyel: The Ergonomics of Chopin’s Interface
Dylan Henderson
96–125
DOI:
https://doi.org/10.56693/cr.149
PDF
Reviews
Review of Jean-Jacques Eigeldinger: Frédéric Chopin et ses amis musiciens français
David Kasunic
127–130
DOI:
https://doi.org/10.56693/cr.150
PDF
Review of The Chopin Games: History of the International Fryderyk Chopin Piano Competition in 1927–2015. Edited by Paweł Majewski; translated by Tomasz Zymer
Lisa McCormick
130–133
DOI:
https://doi.org/10.56693/cr.151
PDF
Review of The Cambridge Companion to Music and Romanticism. Edited by Benedict Taylor
Michał Kuziak
134–137
DOI:
https://doi.org/10.56693/cr.153
PDF
Publisher
Narodowy Instytut Fryderyka Chopina
ul. Tamka 43
00-355 Warszawa
tel.: (+48 22) 44 16 100
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